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Painting: st, pedao tomas

Painting ID: 65682

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Francisco de Zurbaran st, pedao tomas

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Francisco de Zurbaran:
1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

Related Paintings to Francisco de Zurbaran :.
| Edvard Munch62 | Francesco Maffei--Hagar and the Angel | Frederic Leighton (07) | Harlamoff Tel 4008078 | Unknown artist -- Het huwelijk van Maria met Jozef, 1525-1549 | | villages and mountains | frukost | gardsmotiv, varberg | Lucerne,Switzerland (mk37) | Jeune fille arabe Portant le pain (mk32) |


 


 

 

 

 

 

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Francisco de Zurbaran