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Painting: Ecce Homo

Painting ID: 95773

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Ecce Homo:
are the Latin words used by Pontius Pilate in the Vulgate translation of the John 19:5, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The King James Version translates the phrase into English as Behold the Man. The scene is widely depicted in Christian art. The Ecce homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined. The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem. But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia). If the "Instruments of the Passion" are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.

Related Paintings to Ecce Homo :.
| Tiepolo, Giovanni Battista -- La Vierge du Carmel apparaissant a Saint Simeon Stock | Master of Eggenburg--A Bishop Saint and Saint Procopius | Corot, Camille -- Landschap, 1872 | Francois Antoine Bossuet - Cityscape in Spain | Carlo Crivelli - La Madonna della Rondine (The Madonna of the Swallow) | | Self-portrait. | Autumn Trees | Interior of San Marco (mk25) | Place de la Concorde | No. 13 God Sends Gabriel to the Virgin |


 


 

 

 

 

 

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Ecce Homo