All Andrea del Castagno Oil Paintings

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
 
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Andrea del Castagno Famous Persons: Dante Allighieri oil on canvas


Famous Persons: Dante Allighieri
Famous Persons: Dante Allighieri
Painting ID::  32219 		  c. 1450 Fresco, transferred to wood, 250 x 154 cm
  c. 1450 Fresco, transferred to wood, 250 x 154 cm

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Andrea del Castagno Assumption of the Virgin oil on canvas


Assumption of the Virgin
Assumption of the Virgin
Painting ID::  32228 		  1529 Panel, 239 x 209 cm
  1529 Panel, 239 x 209 cm

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Andrea del Castagno Farinata degli Uberti oil on canvas


Farinata degli Uberti
Farinata degli Uberti
Painting ID::  33379 		  mk86 c.1450 Fresco 245x165cm Florence,Galleria degli Uffizi
  mk86 c.1450 Fresco 245x165cm Florence,Galleria degli Uffizi

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Andrea del Castagno The Resurrecion oil on canvas


The Resurrecion
The Resurrecion
Painting ID::  38168 		  mk29 Tempera on poplar panel 28.5x33.7cm
  mk29 Tempera on poplar panel 28.5x33.7cm

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Andrea del Castagno The Evanglists luke and john oil on canvas


The Evanglists luke and john
The Evanglists luke and john
Painting ID::  41201 		  mk157 1442 Fresco
  mk157 1442 Fresco

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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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