All Andrea del Castagno Oil Paintings

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
 

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Andrea del Castagno St John the Evangelist oil on canvas


St John the Evangelist
St John the Evangelist
Painting ID::  32204
  1442 Fresco
  1442 Fresco

Height    Width


  INS/CM       Quality

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Andrea del Castagno Eve oil on canvas


Eve
Eve
Painting ID::  32205
  c. 1450 Fresco
  c. 1450 Fresco

Height    Width


  INS/CM       Quality

X

  

Andrea del Castagno Madonna and Child oil on canvas


Madonna and Child
Madonna and Child
Painting ID::  32206
  c. 1450 Fresco
  c. 1450 Fresco

Height    Width


  INS/CM       Quality

X

  

Andrea del Castagno Madonna and Child with Saints oil on canvas


Madonna and Child with Saints
Madonna and Child with Saints
Painting ID::  32207
  c. 1445 Fresco, 290 x 212 cm
  c. 1445 Fresco, 290 x 212 cm

Height    Width


  INS/CM       Quality

X

  

Andrea del Castagno Last Supper and Stories of Christ's Passion oil on canvas


Last Supper and Stories of Christ's Passion
Last Supper and Stories of Christ's Passion
Painting ID::  32208
  1447 Fresco, 453 x 975 cm
  1447 Fresco, 453 x 975 cm

Height    Width


  INS/CM       Quality

X

  

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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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