All Arellano, Juan de Oil Paintings

Spanish Baroque Era Painter, 1614-1676 Spanish painter. He was the pre-eminent painter of flower-pieces in 17th-century Spain. Although Spaniards of the previous generation had painted such works, it was the inspiration of Flemish and Italian examples in Madrid that from c. 1650 encouraged Arellano's success as a specialist in this genre. According to Palomino, who moved to the Court shortly after the artist's death and befriended many painters who had known him, Arellano began to paint flowers only in his thirties after a beginning that showed little promise.
 
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Arellano, Juan de 1652, oil on canvas, Museo del Prado at Madrid oil on canvas


1652, oil on canvas, Museo del Prado at Madrid
1652, oil on canvas, Museo del Prado at Madrid
Painting ID::  18859 		  1652, oil on canvas, Museo del Prado at Madrid
  1652, oil on canvas, Museo del Prado at Madrid

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Arellano, Juan de Still-Life with a Basket of Flowers oil on canvas


Still-Life with a Basket of Flowers
Still-Life with a Basket of Flowers
Painting ID::  43807 		  c. 1650 Oil on canvas, 46,5 x 60,5 cm
  c. 1650 Oil on canvas, 46,5 x 60,5 cm

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Arellano, Juan de Basket of Flowers on a Plinth oil on canvas


Basket of Flowers on a Plinth
Basket of Flowers on a Plinth
Painting ID::  43808 		  1664 Oil on canvas, 95 x 63 cm
  1664 Oil on canvas, 95 x 63 cm

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Arellano, Juan de Basket of Flowers c oil on canvas


Basket of Flowers c
Basket of Flowers c
Painting ID::  52601 		  c. 1670 Oil on canvas, 84 x 100 cm
  c. 1670 Oil on canvas, 84 x 100 cm

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Arellano, Juan de Florero de cristal oil on canvas


Florero de cristal
Florero de cristal
Painting ID::  76178 		  Florero de cristal. Óleo sobre lienzo. 83 x 62 cm. Date 1668 cyf
  Florero de cristal. Óleo sobre lienzo. 83 x 62 cm. Date 1668 cyf

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     Arellano, Juan de
     Spanish Baroque Era Painter, 1614-1676 Spanish painter. He was the pre-eminent painter of flower-pieces in 17th-century Spain. Although Spaniards of the previous generation had painted such works, it was the inspiration of Flemish and Italian examples in Madrid that from c. 1650 encouraged Arellano's success as a specialist in this genre. According to Palomino, who moved to the Court shortly after the artist's death and befriended many painters who had known him, Arellano began to paint flowers only in his thirties after a beginning that showed little promise.

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