All Asher Brown Durand Oil Paintings

1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.
 

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Asher Brown Durand Landscape oil on canvas


Landscape
Landscape
Painting ID::  72861
  Date between 1855(1855) and 1857(1857) Medium Oil on canvas Dimensions 60.8 X 45.4 cm (23.94 X 17.87 in) cyf
  Date between 1855(1855) and 1857(1857) Medium Oil on canvas Dimensions 60.8 X 45.4 cm (23.94 X 17.87 in) cyf

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Asher Brown Durand Study of a Rock oil on canvas


Study of a Rock
Study of a Rock
Painting ID::  73038
  "Study of a Rock," oil on canvas, by the American artist Asher Brown Durand. 42.5 cm x 56 cm (16 3/4 in. x 22 1/16 in.) Courtesy of the Yale University Art Gallery, Yale University, New Haven, Connecticut. cjr
  "Study of a Rock," oil on canvas, by the American artist Asher Brown Durand. 42.5 cm x 56 cm (16 3/4 in. x 22 1/16 in.) Courtesy of the Yale University Art Gallery, Yale University, New Haven, Connecticut. cjr

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Asher Brown Durand First Harvest in the Wilderness oil on canvas


First Harvest in the Wilderness
First Harvest in the Wilderness
Painting ID::  73108
  Date ca. 1855(1855) Medium Oil on canvas Dimensions 80.3 X 122 cm (31.61 X 48.03 in) cyf
  Date ca. 1855(1855) Medium Oil on canvas Dimensions 80.3 X 122 cm (31.61 X 48.03 in) cyf

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Asher Brown Durand Kaaterskill Clove oil on canvas


Kaaterskill Clove
Kaaterskill Clove
Painting ID::  73956
  oil on canvas, by the American artist Asher Brown Durand. 43.2 cm x 61 cm (17 in. x 24 in.) Courtesy of the Yale University Art Gallery, Yale University, New Haven, Connecticut. Date circa 1866 cyf
  oil on canvas, by the American artist Asher Brown Durand. 43.2 cm x 61 cm (17 in. x 24 in.) Courtesy of the Yale University Art Gallery, Yale University, New Haven, Connecticut. Date circa 1866 cyf

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Asher Brown Durand Beacon Hills on the Hudson River, oil on canvas


Beacon Hills on the Hudson River,
Beacon Hills on the Hudson River,
Painting ID::  78230
  Beacon Hills on the Hudson River, Opposite NewburghxPainted on the Spot, oil on canvas painting by Asher Brown Durand, ca. 1852 cjr
  Beacon Hills on the Hudson River, Opposite NewburghxPainted on the Spot, oil on canvas painting by Asher Brown Durand, ca. 1852 cjr

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     Asher Brown Durand
     1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

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