All Asher Brown Durand Oil Paintings

1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.
 

       Prev  24  25  26  27  28  29  30  31   Next
  Prev Artist       Next Artist     

   
    

Asher Brown Durand Wilderness oil on canvas


Wilderness
Wilderness
Painting ID::  84188
  oil on canvas. Date 1855(1855) cyf
  oil on canvas. Date 1855(1855) cyf

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand The Beeches oil on canvas


The Beeches
The Beeches
Painting ID::  84260
  Oil on canvas, 60-3/8 x 48-1/8 in Date 1845(1845) cyf
  Oil on canvas, 60-3/8 x 48-1/8 in Date 1845(1845) cyf

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Guard House, Catskill Mountains oil on canvas


Guard House, Catskill Mountains
Guard House, Catskill Mountains
Painting ID::  84406
  oil on canvas 60.96 cm (24 in.) by 45.72 cm (18 in.) Date c. 1850-1857 cjr
  oil on canvas 60.96 cm (24 in.) by 45.72 cm (18 in.) Date c. 1850-1857 cjr

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand A Summer Afternoon oil on canvas


A Summer Afternoon
A Summer Afternoon
Painting ID::  85576
  oil on canvas, 30.25 x 42.25 inches Date 1849(1849) cyf
  oil on canvas, 30.25 x 42.25 inches Date 1849(1849) cyf

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Lake Scene in the Mountains oil on canvas


Lake Scene in the Mountains
Lake Scene in the Mountains
Painting ID::  86841
  oil on canvas, 60.96 cm (24 in.) by 91.44 cm (36 in.) Date 1874(1874) cyf
  oil on canvas, 60.96 cm (24 in.) by 91.44 cm (36 in.) Date 1874(1874) cyf

Height    Width


  INS/CM       Quality

X

  

       Prev  24  25  26  27  28  29  30  31   Next
Prev Artist       Next Artist     

     Asher Brown Durand
     1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings