All Asher Brown Durand Oil Paintings

1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.
 

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Asher Brown Durand The Morning of Life oil on canvas


The Morning of Life
The Morning of Life
Painting ID::  51356
  mk218 1840 Oil on canvas 126x213.7cm
  mk218 1840 Oil on canvas 126x213.7cm

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  INS/CM       Quality

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Asher Brown Durand The Evening of Life oil on canvas


The Evening of Life
The Evening of Life
Painting ID::  51357
  mk218 1840 Oil on canvas 125.4x211.8cm
  mk218 1840 Oil on canvas 125.4x211.8cm

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  INS/CM       Quality

X

  

Asher Brown Durand Jonathan Sturges oil on canvas


Jonathan Sturges
Jonathan Sturges
Painting ID::  51358
  mk218 c.1840 Oil on canvas 77.5x63.5cm
  mk218 c.1840 Oil on canvas 77.5x63.5cm

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand John William Casilear oil on canvas


John William Casilear
John William Casilear
Painting ID::  51359
  mk218 c.1840 Oil on canvas 76.2x62.2cm
  mk218 c.1840 Oil on canvas 76.2x62.2cm

Height    Width


  INS/CM       Quality

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Asher Brown Durand Dance on the battery in the Presence of Peter Stuyvesant oil on canvas


Dance on the battery in the Presence of Peter Stuyvesant
Dance on the battery in the Presence of Peter Stuyvesant
Painting ID::  51363
  mk218 1838 Oil on canvas 81.3x118.1cm
  mk218 1838 Oil on canvas 81.3x118.1cm

Height    Width


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     Asher Brown Durand
     1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

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