All Augustus Earle Oil Paintings

Australian Painter , 1793-1838 Nephew of Ralph Earl. He exhibited at the Royal Academy in London between 1806 and 1815, when he began travelling. He visited the Mediterranean between 1815 and 1817, and lived in North America (1818-20) and South America (1820-24). In February 1824, en route to India, he was accidentally abandoned on Tristan da Cunha for eight months. The passing ship that rescued him took him to Australia. Here he lived from 1825 until 1828, a period broken by a seven-month residence in New Zealand. During all of his voyages he made watercolour sketches, particularly of places 'hitherto unvisited by any artist', apparently with the intention of publishing a series of aquatints. These drawings, such as a Bivouac, Daybreak, on the Illawarra Mountains (1827; Canberra, N. Lib.), have a robust autobiographical quality. In Sydney he obtained a number of commissions, including a full-length portrait of Governor Sir Thomas Brisbane (1825-6; Sydney, Govt House). Earle returned to England in 1829 and produced a series of prints, Views in New South Wales, and Van Diemen's Land.
 

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Augustus Earle Augustus Earle oil on canvas


Augustus Earle
Augustus Earle
Painting ID::  58727
  Augustus Earle, (Self Portrait) Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha (i.e. da Cunha) in the South Atlantic, (1824): watercolour; 17.5 x 25.7 cm. National Library of Australia
  Augustus Earle, (Self Portrait) Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha (i.e. da Cunha) in the South Atlantic, (1824): watercolour; 17.5 x 25.7 cm. National Library of Australia

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  INS/CM       Quality

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Augustus Earle Punishing negroes at Cathabouco oil on canvas


Punishing negroes at Cathabouco
Punishing negroes at Cathabouco
Painting ID::  58728
  Augustus Earle, Punishing negroes at Cathabouco, (i.e. Calabouco) Rio de Janeiro, (1822): watercolour; 23.6 x 26.3 cm. National Library of Australia
  Augustus Earle, Punishing negroes at Cathabouco, (i.e. Calabouco) Rio de Janeiro, (1822): watercolour; 23.6 x 26.3 cm. National Library of Australia

Height    Width


  INS/CM       Quality

X

  

Augustus Earle Portrait of Bungaree oil on canvas


Portrait of Bungaree
Portrait of Bungaree
Painting ID::  58729
  Augustus Earle, Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, (1826): oil on canvas; 68.5 x 50.5 cm. National Library of Australia
  Augustus Earle, Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, (1826): oil on canvas; 68.5 x 50.5 cm. National Library of Australia

Height    Width


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Augustus Earle Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha oil on canvas


Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha
Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha
Painting ID::  94289
  1824 cjr
  1824 cjr

Height    Width


  INS/CM       Quality

X

  

Augustus Earle Punishing negros at Cathabouco oil on canvas


Punishing negros at Cathabouco
Punishing negros at Cathabouco
Painting ID::  94290
  1822. Watercolour; 23.6 x 26.3 cm. cjr
  1822. Watercolour; 23.6 x 26.3 cm. cjr

Height    Width


  INS/CM       Quality

X

  

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     Augustus Earle
     Australian Painter , 1793-1838 Nephew of Ralph Earl. He exhibited at the Royal Academy in London between 1806 and 1815, when he began travelling. He visited the Mediterranean between 1815 and 1817, and lived in North America (1818-20) and South America (1820-24). In February 1824, en route to India, he was accidentally abandoned on Tristan da Cunha for eight months. The passing ship that rescued him took him to Australia. Here he lived from 1825 until 1828, a period broken by a seven-month residence in New Zealand. During all of his voyages he made watercolour sketches, particularly of places 'hitherto unvisited by any artist', apparently with the intention of publishing a series of aquatints. These drawings, such as a Bivouac, Daybreak, on the Illawarra Mountains (1827; Canberra, N. Lib.), have a robust autobiographical quality. In Sydney he obtained a number of commissions, including a full-length portrait of Governor Sir Thomas Brisbane (1825-6; Sydney, Govt House). Earle returned to England in 1829 and produced a series of prints, Views in New South Wales, and Van Diemen's Land.

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