All CARDUCHO, Vicente Oil Paintings

(b. 1576, Florence, d. 1638, Madrid Painter and theorist, brother of Bartolom Carducho. He became a prolific painter for both the church and the court in Castile, adapting a late 16th-century Italianate style, introduced into Spain in the 1580s, to Spanish themes and settings. After his death this style was superseded in monastic programmes by Zurbarn's pietistic simplicity and in altarpieces and devotional painting by the elegant compositions of van Dyck and Rubens, while Velezquez was unrivalled as a portrait painter. Of more enduring influence than Vicente's paintings, however, was his Dielogos de la pintura (Madrid, 1633), an erudite defence of painting as a noble pursuit and of the artist as a learned humanist. While painters in Spain struggled until the 18th century to attain freedom from artisanship, the Dielogos featured significantly in 17th-century efforts to achieve that goal,
 
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CARDUCHO, Vicente Vision of St Francis of Assisi fg oil on canvas


Vision of St Francis of Assisi fg
Vision of St Francis of Assisi fg
Painting ID::  5819 		  1631 Oil on canvas, 246 x 173 cm Museum of Fine Arts, Budapest
  1631 Oil on canvas, 246 x 173 cm Museum of Fine Arts, Budapest

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CARDUCHO, Vicente The Vision of St. Anthony of Padua sdf oil on canvas


The Vision of St. Anthony of Padua sdf
The Vision of St. Anthony of Padua sdf
Painting ID::  5820 		  1631 Oil on canvas The Hermitage, St. Petersburg
  1631 Oil on canvas The Hermitage, St. Petersburg

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CARDUCHO, Vicente Ecstasy of Father Birelli (mk05) oil on canvas


Ecstasy of Father Birelli (mk05)
Ecstasy of Father Birelli (mk05)
Painting ID::  20341 		  Canvas,23 1/2 x 19''(60 x 48 cm)Acquired in 1980
  Canvas,23 1/2 x 19''(60 x 48 cm)Acquired in 1980

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CARDUCHO, Vicente ST Bernard of Clairvaux (mk05) oil on canvas


ST Bernard of Clairvaux (mk05)
ST Bernard of Clairvaux (mk05)
Painting ID::  20343 		  Canvas,23 1/2 x 19''(60 x 48 cm)Acquired in 1980
  Canvas,23 1/2 x 19''(60 x 48 cm)Acquired in 1980

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     CARDUCHO, Vicente
     (b. 1576, Florence, d. 1638, Madrid Painter and theorist, brother of Bartolom Carducho. He became a prolific painter for both the church and the court in Castile, adapting a late 16th-century Italianate style, introduced into Spain in the 1580s, to Spanish themes and settings. After his death this style was superseded in monastic programmes by Zurbarn's pietistic simplicity and in altarpieces and devotional painting by the elegant compositions of van Dyck and Rubens, while Velezquez was unrivalled as a portrait painter. Of more enduring influence than Vicente's paintings, however, was his Dielogos de la pintura (Madrid, 1633), an erudite defence of painting as a noble pursuit and of the artist as a learned humanist. While painters in Spain struggled until the 18th century to attain freedom from artisanship, the Dielogos featured significantly in 17th-century efforts to achieve that goal,

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