All CUYP, Aelbert Oil Paintings

Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.
 
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CUYP, Aelbert The Avenue at Meerdervoort dfg oil on canvas


The Avenue at Meerdervoort dfg
The Avenue at Meerdervoort dfg
Painting ID::  6336 		  1650-52 Oil on wood, 70 x 99 cm Wallace Collection, London
  1650-52 Oil on wood, 70 x 99 cm Wallace Collection, London

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CUYP, Aelbert The Dairy Maid dfg oil on canvas


The Dairy Maid dfg
The Dairy Maid dfg
Painting ID::  6337 		  1650s Oil on canvas, 106 x 172 cm The Hermitage, St. Petersburg
  1650s Oil on canvas, 106 x 172 cm The Hermitage, St. Petersburg

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CUYP, Aelbert Domestic Fowl fg oil on canvas


Domestic Fowl fg
Domestic Fowl fg
Painting ID::  6338 		  Oil on oak panel, 44,5 x 54,5 cm Groeninge Museum, Bruges
  Oil on oak panel, 44,5 x 54,5 cm Groeninge Museum, Bruges

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CUYP, Aelbert Grey Horse in a Landscape dfg oil on canvas


Grey Horse in a Landscape dfg
Grey Horse in a Landscape dfg
Painting ID::  6339 		  Oil on canvas Museum Boymans-van Beuningen, Rotterdam
  Oil on canvas Museum Boymans-van Beuningen, Rotterdam

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CUYP, Aelbert Herdsmen with Cows dfg oil on canvas


Herdsmen with Cows dfg
Herdsmen with Cows dfg
Painting ID::  6340 		  Oil on canvas, 101,4 x 145,8 cm Dulwich Picture Gallery, London
  Oil on canvas, 101,4 x 145,8 cm Dulwich Picture Gallery, London

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     CUYP, Aelbert
     Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.

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