All CUYP, Aelbert Oil Paintings

Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.
 
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CUYP, Aelbert The Negro Page dfg oil on canvas


The Negro Page dfg
The Negro Page dfg
Painting ID::  6341 		  c. 1652 Oil on canvas, 142,8 x 226,7 cm Royal Collection, Windsor
  c. 1652 Oil on canvas, 142,8 x 226,7 cm Royal Collection, Windsor

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CUYP, Aelbert Peasants with Four Cows by the River Merwede dfg oil on canvas


Peasants with Four Cows by the River Merwede dfg
Peasants with Four Cows by the River Merwede dfg
Painting ID::  6342 		  Oil on wood, 38 x 50 cm National Gallery, London
  Oil on wood, 38 x 50 cm National Gallery, London

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CUYP, Aelbert Rooster and Hens dfg oil on canvas


Rooster and Hens dfg
Rooster and Hens dfg
Painting ID::  6343 		  Oil on panel, 48 x 45 cm Museum voor Schone Kunsten, Ghent
  Oil on panel, 48 x 45 cm Museum voor Schone Kunsten, Ghent

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CUYP, Aelbert View of Dordrecht ds oil on canvas


View of Dordrecht ds
View of Dordrecht ds
Painting ID::  6344 		  c. 1655 Oil on canvas, 97,8 x 137,8 cm Iveagh Bequest, Kenwood House, London
  c. 1655 Oil on canvas, 97,8 x 137,8 cm Iveagh Bequest, Kenwood House, London

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CUYP, Aelbert Young Herdsman with Cows fdg oil on canvas


Young Herdsman with Cows fdg
Young Herdsman with Cows fdg
Painting ID::  6345 		  1655-60 Oil on canvas Metropolitan Museum of Art, New York
  1655-60 Oil on canvas Metropolitan Museum of Art, New York

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     CUYP, Aelbert
     Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.

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