All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio The Entombment oil on canvas


The Entombment
The Entombment
Painting ID::  33574
  mk86 c.1602-1604 Oil on canvas 300x203cm Rome,Musei Vaticani,Pinacoteca Vaticana
  mk86 c.1602-1604 Oil on canvas 300x203cm Rome,Musei Vaticani,Pinacoteca Vaticana

Height    Width


  INS/CM       Quality

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Caravaggio The Supper at Emmaus oil on canvas


The Supper at Emmaus
The Supper at Emmaus
Painting ID::  34694
  mk96 1601 141x196.2cm
  mk96 1601 141x196.2cm

Height    Width


  INS/CM       Quality

X

  

Caravaggio The Fortune Teller oil on canvas


The Fortune Teller
The Fortune Teller
Painting ID::  34695
  mk96 1595 99x131cm
  mk96 1595 99x131cm

Height    Width


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Caravaggio Bacchus oil on canvas


Bacchus
Bacchus
Painting ID::  34696
  mk96 1597 95x85cm
  mk96 1597 95x85cm

Height    Width


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Caravaggio the death of the virgin oil on canvas


the death of the virgin
the death of the virgin
Painting ID::  34697
  mk96 1605-1606 369x245cm
  mk96 1605-1606 369x245cm

Height    Width


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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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