All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio The Beheanding of tst john the baptist oil on canvas


The Beheanding of tst john the baptist
The Beheanding of tst john the baptist
Painting ID::  34698
  mk96 1608 316x520cm
  mk96 1608 316x520cm

Height    Width


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Caravaggio Head of the Medusa oil on canvas


Head of the Medusa
Head of the Medusa
Painting ID::  34918
  mk98 c.1596-1598 Oil on a shield covered with leater 60x55cm
  mk98 c.1596-1598 Oil on a shield covered with leater 60x55cm

Height    Width


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Caravaggio The Madonna of the rosary oil on canvas


The Madonna of the rosary
The Madonna of the rosary
Painting ID::  39616
  mk150 Canvas 36.4x249cm
  mk150 Canvas 36.4x249cm

Height    Width


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Caravaggio David with the head of Goliath oil on canvas


David with the head of Goliath
David with the head of Goliath
Painting ID::  39617
  mk150 c.1606 Panel 90.5x116cm
  mk150 c.1606 Panel 90.5x116cm

Height    Width


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Caravaggio Bacchus oil on canvas


Bacchus
Bacchus
Painting ID::  40401
  mk156 c.1596 Oil on canvas 95x85cm
  mk156 c.1596 Oil on canvas 95x85cm

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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