All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio The Supper at Emmaus oil on canvas


The Supper at Emmaus
The Supper at Emmaus
Painting ID::  40403
  mk156 1601 Oil and egg tempera on canvas 141x196.2cm
  mk156 1601 Oil and egg tempera on canvas 141x196.2cm

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Caravaggio Boy with a Basket of Fruit oil on canvas


Boy with a Basket of Fruit
Boy with a Basket of Fruit
Painting ID::  40404
  mk156 c.1595 Oil on canvas 70x67cm
  mk156 c.1595 Oil on canvas 70x67cm

Height    Width


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Caravaggio The Fortune-Teller oil on canvas


The Fortune-Teller
The Fortune-Teller
Painting ID::  40405
  mk156 c.1594 Oil on canvas 99x131cm
  mk156 c.1594 Oil on canvas 99x131cm

Height    Width


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Caravaggio The Death of the Virgin oil on canvas


The Death of the Virgin
The Death of the Virgin
Painting ID::  40407
  mk156 1601-1605/06 Oil on canvas 369x245cm
  mk156 1601-1605/06 Oil on canvas 369x245cm

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Caravaggio The Lute Player oil on canvas


The Lute Player
The Lute Player
Painting ID::  41001
  mk159 c.1595 Oil on canvas 94x119cm
  mk159 c.1595 Oil on canvas 94x119cm

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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