All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio The Supper at Emmaus oil on canvas


The Supper at Emmaus
The Supper at Emmaus
Painting ID::  43082
  mk170 1601 Oil and egg on canvas 141x196.2cm
  mk170 1601 Oil and egg on canvas 141x196.2cm

Height    Width


  INS/CM       Quality

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Caravaggio Detail of The Supper at Emmaus oil on canvas


Detail of The Supper at Emmaus
Detail of The Supper at Emmaus
Painting ID::  43084
  mk170
  mk170

Height    Width


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Caravaggio St. John the Baptist oil on canvas


St. John the Baptist
St. John the Baptist
Painting ID::  43834
  c. 1604 Oil on canvas, 172,5 x 104,5 cm
  c. 1604 Oil on canvas, 172,5 x 104,5 cm

Height    Width


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Caravaggio Madonna di Loreto oil on canvas


Madonna di Loreto
Madonna di Loreto
Painting ID::  43835
  1603-05 Oil on canvas, 260 x 150 cm
  1603-05 Oil on canvas, 260 x 150 cm

Height    Width


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Caravaggio St Jerome oil on canvas


St Jerome
St Jerome
Painting ID::  43836
  c. 1606 Oil on canvas, 112 x 157 cm
  c. 1606 Oil on canvas, 112 x 157 cm

Height    Width


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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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