All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 
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Caravaggio The young Bacchus (mk08) oil on canvas


The young Bacchus (mk08)
The young Bacchus (mk08)
Painting ID::  21438 		  c.1591-1593 Oil on canvas 66x53cm Rome,Galleria Borghese
  c.1591-1593 Oil on canvas 66x53cm Rome,Galleria Borghese

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Caravaggio Bacchus (detail) (df01) oil on canvas


Bacchus (detail) (df01)
Bacchus (detail) (df01)
Painting ID::  22531 		  1593-1595 Florence,Galleria degli Uffizi
  1593-1595 Florence,Galleria degli Uffizi

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Caravaggio Supper at Emmans (mk33) oil on canvas


Supper at Emmans (mk33)
Supper at Emmans (mk33)
Painting ID::  24681 		 
 

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Caravaggio Self-Portrait as Bacchus oil on canvas


Self-Portrait as Bacchus
Self-Portrait as Bacchus
Painting ID::  26764 		  mk52 Oil on canvas 66x52cm Galleria Borghese,Rome
  mk52 Oil on canvas 66x52cm Galleria Borghese,Rome

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Caravaggio David with the Head of Goliath oil on canvas


David with the Head of Goliath
David with the Head of Goliath
Painting ID::  26765 		  mk52 c.1610 Oil on canvas 125x100cm Galleria Borgese,Rome
  mk52 c.1610 Oil on canvas 125x100cm Galleria Borgese,Rome

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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