All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio Medusa oil on canvas


Medusa
Medusa
Painting ID::  28853
  mk65 Oil on canvas applied to a poplar-wood shield 23 5/8x21 11/16in Uffizi,Gallery
  mk65 Oil on canvas applied to a poplar-wood shield 23 5/8x21 11/16in Uffizi,Gallery

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Caravaggio The Sacrifice of Isaac oil on canvas


The Sacrifice of Isaac
The Sacrifice of Isaac
Painting ID::  28900
  mk65 Oil on canvas 40 15/16x53 1/8in Uffizi.
  mk65 Oil on canvas 40 15/16x53 1/8in Uffizi.

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Caravaggio The Tooth Puller oil on canvas


The Tooth Puller
The Tooth Puller
Painting ID::  29001
  mk65 Oil on canvas 54 15/16x76 9/16in Pitti. Pitti,Palatine Gallery
  mk65 Oil on canvas 54 15/16x76 9/16in Pitti. Pitti,Palatine Gallery

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Caravaggio Sleeping Cupid oil on canvas


Sleeping Cupid
Sleeping Cupid
Painting ID::  29002
  mk65 Oil on canvas 28 3/8x41 5/16in Pitti, Palatine Gallery
  mk65 Oil on canvas 28 3/8x41 5/16in Pitti, Palatine Gallery

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Caravaggio Portrait of a Knight of Malta oil on canvas


Portrait of a Knight of Malta
Portrait of a Knight of Malta
Painting ID::  29003
  mk65 Oil on canvas 46 5/8x76 9/16in Pitti,Royal Apartments
  mk65 Oil on canvas 46 5/8x76 9/16in Pitti,Royal Apartments

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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