1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
Annunciation with St. Emidius (1486)
207x146,5 cm National Gallery, London.
Annunciation with St. Emidius (1486)
207x146,5 cm National Gallery, London.
Crivelli's 1480 painting of Madonna_and_Child, at Metropolitan Museum of Art, New York City.
Crivelli's 1480 painting of Madonna_and_Child, at Metropolitan Museum of Art, New York City.
Height Width
INS/CM Quality
X
St James of the Marches with Two Kneeling Donors
St James of the Marches with Two Kneeling Donors
Painting ID:: 84866
Dimensions Height: 198 cm (78 in). Width: 64 cm (25.2 in).
Medium English: oil on wood
Date 1477
cjr
Dimensions Height: 198 cm (78 in). Width: 64 cm (25.2 in).
Medium English: oil on wood
Date 1477
cjr
1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.