All Caspar David Friedrich Oil Paintings

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
 

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Caspar David Friedrich The Cross in the Mountains oil on canvas


The Cross in the Mountains
The Cross in the Mountains
Painting ID::  44157
  1812 Oil on canvas, 45 x 37 cm
  1812 Oil on canvas, 45 x 37 cm

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Caspar David Friedrich The Chasseur in the Forest oil on canvas


The Chasseur in the Forest
The Chasseur in the Forest
Painting ID::  44158
  1814 Oil on canvas, 66 x 47 cm
  1814 Oil on canvas, 66 x 47 cm

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Caspar David Friedrich View of a Harbour . oil on canvas


View of a Harbour .
View of a Harbour .
Painting ID::  44159
  1815-16 Oil on canvas, 90 x 71 cm
  1815-16 Oil on canvas, 90 x 71 cm

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Caspar David Friedrich Neubrandenburg oil on canvas


Neubrandenburg
Neubrandenburg
Painting ID::  44160
  c. 1817 Oil on canvas, 91 x 72 cm
  c. 1817 Oil on canvas, 91 x 72 cm

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Caspar David Friedrich Woman before the Rising Sun oil on canvas


Woman before the Rising Sun
Woman before the Rising Sun
Painting ID::  44161
  1818-20 Oil on canvas, 22 x 30 cm
  1818-20 Oil on canvas, 22 x 30 cm

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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