All Caspar David Friedrich Oil Paintings

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
 

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Caspar David Friedrich Two Men Looking at the Moon oil on canvas


Two Men Looking at the Moon
Two Men Looking at the Moon
Painting ID::  40658
  mk156 1819 Oil on canvas 35x44cm
  mk156 1819 Oil on canvas 35x44cm

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Caspar David Friedrich Te Sea of Ice oil on canvas


Te Sea of Ice
Te Sea of Ice
Painting ID::  40667
  mk156 1823-1824 Oil on canvas 96.7x126.9cm
  mk156 1823-1824 Oil on canvas 96.7x126.9cm

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Caspar David Friedrich Moonrise over the sea oil on canvas


Moonrise over the sea
Moonrise over the sea
Painting ID::  41070
  mk159 1821 Oil on canvsas 135x170cm
  mk159 1821 Oil on canvsas 135x170cm

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Caspar David Friedrich The Sailboat oil on canvas


The Sailboat
The Sailboat
Painting ID::  41071
  mk159 c.1818-20 Oil on canvas 71x56cm
  mk159 c.1818-20 Oil on canvas 71x56cm

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Caspar David Friedrich The walker above the mists oil on canvas


The walker above the mists
The walker above the mists
Painting ID::  42739
  MK169 ca.1817-18 oil Paint on cloth 74.8x94.8cm
  MK169 ca.1817-18 oil Paint on cloth 74.8x94.8cm

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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