All Caspar David Friedrich Oil Paintings

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
 

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Caspar David Friedrich Riesengebirge oil on canvas


Riesengebirge
Riesengebirge
Painting ID::  45234
  mk181 1810-11 Berlin
  mk181 1810-11 Berlin

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Caspar David Friedrich Das Eismeer oil on canvas


Das Eismeer
Das Eismeer
Painting ID::  45235
  mk181 1823-24 Hamburg Kunsthalle
  mk181 1823-24 Hamburg Kunsthalle

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Caspar David Friedrich Winter Landscape with Church oil on canvas


Winter Landscape with Church
Winter Landscape with Church
Painting ID::  52473
  1811 Oil on canvas, 33 x 45 cm
  1811 Oil on canvas, 33 x 45 cm

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Caspar David Friedrich ) The Chasseur in the Forest oil on canvas


) The Chasseur in the Forest
) The Chasseur in the Forest
Painting ID::  52474
  1814 Oil on canvas, 66 x 47 cm
  1814 Oil on canvas, 66 x 47 cm

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Caspar David Friedrich The Sea of Ice oil on canvas


The Sea of Ice
The Sea of Ice
Painting ID::  52477
  1824 Oil on canvas, 96,7 x 126,9 cm
  1824 Oil on canvas, 96,7 x 126,9 cm

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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