All Caspar David Friedrich Oil Paintings

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
 
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Caspar David Friedrich riesengbirge oil on canvas


riesengbirge
riesengbirge
Painting ID::  56577 		  mk248 malningen gjordes under en lycklig period i fredrcbs liv da ban ser tillbaka pa en bergsvandring som ban gjorde tjugo ar tidigare ocb minns ett fridfullt panorama, har morer bimlen borisonten i en blandning av mjuka gula ocb violetta toner som arerkommer dampat i de latta molnen ovanfor.
  mk248 malningen gjordes under en lycklig period i fredrcbs liv da ban ser tillbaka pa en bergsvandring som ban gjorde tjugo ar tidigare ocb minns ett fridfullt panorama, har morer bimlen borisonten i en blandning av mjuka gula ocb violetta toner som arerkommer dampat i de latta molnen ovanfor.

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Caspar David Friedrich Chalk Cliffs on Rugen oil on canvas


Chalk Cliffs on Rugen
Chalk Cliffs on Rugen
Painting ID::  58863 		  Chalk Cliffs on Rugen, (1818). 90.5 ?? 71 cm. Museum Oskar Reinhart am Stadtgarten, Winterthur, Switzerland. Friedrich married Christiane Caroline Bommer in 1818, and on their honeymoon they visited relatives in Neubrandenburg and Greifswald. This painting celebrates the couple's union
  Chalk Cliffs on Rugen, (1818). 90.5 ?? 71 cm. Museum Oskar Reinhart am Stadtgarten, Winterthur, Switzerland. Friedrich married Christiane Caroline Bommer in 1818, and on their honeymoon they visited relatives in Neubrandenburg and Greifswald. This painting celebrates the couple's union

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Caspar David Friedrich Georg Friedrich Kersting oil on canvas


Georg Friedrich Kersting
Georg Friedrich Kersting
Painting ID::  58865 		  Georg Friedrich Kersting, Caspar David Friedrich in his Studio (1819). 51 ?? 40 cm. Alte Nationalgalerie, Berlin. Kersting portrays an aged Friedrich holding a maulstick at his canvas.
  Georg Friedrich Kersting, Caspar David Friedrich in his Studio (1819). 51 ?? 40 cm. Alte Nationalgalerie, Berlin. Kersting portrays an aged Friedrich holding a maulstick at his canvas.

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Caspar David Friedrich The Sea of Ice oil on canvas


The Sea of Ice
The Sea of Ice
Painting ID::  58866 		  The Sea of Ice (1823?C24), Kunsthalle Hamburg. This scene has been described as "a stunning composition of near and distant forms in an Arctic image
  The Sea of Ice (1823?C24), Kunsthalle Hamburg. This scene has been described as "a stunning composition of near and distant forms in an Arctic image

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Caspar David Friedrich Man and Woman Contemplating the Moon oil on canvas


Man and Woman Contemplating the Moon
Man and Woman Contemplating the Moon
Painting ID::  58867 		  Man and Woman Contemplating the Moon (1830?C35). 34 ?? 44 cm. Alte Nationalgalerie, Berlin. In this work, the artist depicts a couple gazing longingly at nature, in "Old German" clothes, "scarcely different in tone or modelling from the deep dramas of nature around them
  Man and Woman Contemplating the Moon (1830?C35). 34 ?? 44 cm. Alte Nationalgalerie, Berlin. In this work, the artist depicts a couple gazing longingly at nature, in "Old German" clothes, "scarcely different in tone or modelling from the deep dramas of nature around them

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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