All Corot Camille Oil Paintings

French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
 
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Corot Camille Manana in Venice oil on canvas


Manana in Venice
Manana in Venice
Painting ID::  38100 		  mk131 1834 It painted during the second trip to ltalia, Corot Amuses the azure light.
  mk131 1834 It painted during the second trip to ltalia, Corot Amuses the azure light.

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Corot Camille The walk of Poussin Campina of Rome oil on canvas


The walk of Poussin Campina of Rome
The walk of Poussin Campina of Rome
Painting ID::  38101 		  mk131 1826-1828 outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
  mk131 1826-1828 outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture

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Corot Camille Ischa since the slopes of the mount Epomeo oil on canvas


Ischa since the slopes of the mount Epomeo
Ischa since the slopes of the mount Epomeo
Painting ID::  38102 		  mk131 1828 Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
  mk131 1828 Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture

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Corot Camille Florence Since the Gardens of Boboli oil on canvas


Florence Since the Gardens of Boboli
Florence Since the Gardens of Boboli
Painting ID::  38103 		  mk131 1835-1840 The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle
  mk131 1835-1840 The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle

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Corot Camille Volterra oil on canvas


Volterra
Volterra
Painting ID::  38104 		  mk131 1834 The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different
  mk131 1834 The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different

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     Corot Camille
     French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

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