All DAVID, Gerard Oil Paintings

Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,
 
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DAVID, Gerard Triptych of Jean Des Trompes (detail) dfg oil on canvas


Triptych of Jean Des Trompes (detail) dfg
Triptych of Jean Des Trompes (detail) dfg
Painting ID::  6396 		  1505 Oil on wood Groeninge Museum, Bruges
  1505 Oil on wood Groeninge Museum, Bruges

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DAVID, Gerard Triptych of Jan Des Trompes (rear of the wings) tye oil on canvas


Triptych of Jan Des Trompes (rear of the wings) tye
Triptych of Jan Des Trompes (rear of the wings) tye
Painting ID::  6397 		  1505 Oil on wood, 132 x 43 cm (each) Groeninge Museum, Bruges
  1505 Oil on wood, 132 x 43 cm (each) Groeninge Museum, Bruges

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DAVID, Gerard Virgin and Child with Four Angels de oil on canvas


Virgin and Child with Four Angels de
Virgin and Child with Four Angels de
Painting ID::  6398 		  c. 1505 Oil on wood, 63,2 x 39,1 cm Metropolitan Museum of Art, New York
  c. 1505 Oil on wood, 63,2 x 39,1 cm Metropolitan Museum of Art, New York

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     DAVID, Gerard
     Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,

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