All Delaunay, Robert Oil Paintings

French Cubist Painter, 1885-1941 French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life,
 
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Delaunay, Robert Delaunay, Robert oil on canvas


Delaunay, Robert
Delaunay, Robert
Painting ID::  18981 		  1911-23, oil on canvas, The Art Institute of Chicago.
  1911-23, oil on canvas, The Art Institute of Chicago.

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Delaunay, Robert Simultaneous Windows on the City (mk09) oil on canvas


Simultaneous Windows on the City (mk09)
Simultaneous Windows on the City (mk09)
Painting ID::  21649 		  1912 Oil on canvas and wood (painted frame),46 x 40 cm Hamburg,Hamburger Kunsthalle
  1912 Oil on canvas and wood (painted frame),46 x 40 cm Hamburg,Hamburger Kunsthalle

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Delaunay, Robert Simulaneous Contrasts Sun and Moon (mk09) oil on canvas


Simulaneous Contrasts Sun and Moon (mk09)
Simulaneous Contrasts Sun and Moon (mk09)
Painting ID::  21651 		  c 1912/13 Oil on canvas,diameter 134.5 cm New York,The Museum of Modern Art
  c 1912/13 Oil on canvas,diameter 134.5 cm New York,The Museum of Modern Art

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Delaunay, Robert Homage to Bleriot (nn03) oil on canvas


Homage to Bleriot (nn03)
Homage to Bleriot (nn03)
Painting ID::  23284 		  1914 Watercolour on paper 78 x 67 cm 30 3/4 x 26 1/3 in Musee d'Art Moderne de la Ville de3 Paris Paris
  1914 Watercolour on paper 78 x 67 cm 30 3/4 x 26 1/3 in Musee d'Art Moderne de la Ville de3 Paris Paris

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Delaunay, Robert Eiffel Tower or the Red Tower oil on canvas


Eiffel Tower or the Red Tower
Eiffel Tower or the Red Tower
Painting ID::  31318 		  nn07 1911 - Oil on Canvas
  nn07 1911 - Oil on Canvas

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     Delaunay, Robert
     French Cubist Painter, 1885-1941 French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life,

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