All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Count-Duke of Olivares on Horseback (df01) oil on canvas


Count-Duke of Olivares on Horseback (df01)
Count-Duke of Olivares on Horseback (df01)
Painting ID::  22497
  1634 Cat no 66
  1634 Cat no 66

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Diego Velazquez Philip III on Horseback (df01) oil on canvas


Philip III on Horseback (df01)
Philip III on Horseback (df01)
Painting ID::  22498
  1634-1635 Cat no 68
  1634-1635 Cat no 68

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Diego Velazquez Infanta Margarita (df01) oil on canvas


Infanta Margarita (df01)
Infanta Margarita (df01)
Painting ID::  22499
  1653 Cat no 122
  1653 Cat no 122

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Diego Velazquez Prince Felipe Prospero (df01) oil on canvas


Prince Felipe Prospero (df01)
Prince Felipe Prospero (df01)
Painting ID::  22500
  1659 Cat no 129
  1659 Cat no 129

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Diego Velazquez The Temptation of St Thomas Aquinas (df01) oil on canvas


The Temptation of St Thomas Aquinas (df01)
The Temptation of St Thomas Aquinas (df01)
Painting ID::  22501
  1631-1632 cat no 130
  1631-1632 cat no 130

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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