All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Old Woman Frying Eggs (df01) oil on canvas


Old Woman Frying Eggs (df01)
Old Woman Frying Eggs (df01)
Painting ID::  22507
  1618 Cat no 6
  1618 Cat no 6

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Diego Velazquez Still Life (df01) oil on canvas


Still Life (df01)
Still Life (df01)
Painting ID::  22508
  1602 Madrid,Museo del Prado
  1602 Madrid,Museo del Prado

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Diego Velazquez Mother Jeronima de la Fuente (detail) (df01) oil on canvas


Mother Jeronima de la Fuente (detail) (df01)
Mother Jeronima de la Fuente (detail) (df01)
Painting ID::  22509
  1620
  1620

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Diego Velazquez Musical Trio (df01) oil on canvas


Musical Trio (df01)
Musical Trio (df01)
Painting ID::  22510
  1617-1618
  1617-1618

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Diego Velazquez Three Men at Table (df01) oil on canvas


Three Men at Table (df01)
Three Men at Table (df01)
Painting ID::  22511
  c 1618
  c 1618

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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