All Domenico Ghirlandaio Oil Paintings

Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
 

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Domenico Ghirlandaio Last Supper (mk08) oil on canvas


Last Supper (mk08)
Last Supper (mk08)
Painting ID::  21223
  1480 Fresco,total width812cm Florence,Convent of San Marco,Refectory
  1480 Fresco,total width812cm Florence,Convent of San Marco,Refectory

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Domenico Ghirlandaio Old Man and Young Boy (mk08) oil on canvas


Old Man and Young Boy (mk08)
Old Man and Young Boy (mk08)
Painting ID::  21224
  1488 Tempera on wood. 62x46cm Paris,Musee National du Louvre
  1488 Tempera on wood. 62x46cm Paris,Musee National du Louvre

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Domenico Ghirlandaio Portrait of Giovanna Tornabuoni (nn03) oil on canvas


Portrait of Giovanna Tornabuoni (nn03)
Portrait of Giovanna Tornabuoni (nn03)
Painting ID::  23300
  1488Tempera on panel 77 x 49 cm 30 1/4 x 19 1/4 in Fundacion Coleccion Thyssen-Bornemisza Madrid
  1488Tempera on panel 77 x 49 cm 30 1/4 x 19 1/4 in Fundacion Coleccion Thyssen-Bornemisza Madrid

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Domenico Ghirlandaio Detail from Saint Francis Restoring a Child to Life oil on canvas


Detail from Saint Francis Restoring a Child to Life
Detail from Saint Francis Restoring a Child to Life
Painting ID::  26707
  mk52
  mk52

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Domenico Ghirlandaio Saint Francis Restoring a Child to Life oil on canvas


Saint Francis Restoring a Child to Life
Saint Francis Restoring a Child to Life
Painting ID::  26708
  mk52 c.1458 Fresco S.Triita,Florence
  mk52 c.1458 Fresco S.Triita,Florence

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     Domenico Ghirlandaio
     Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation

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