All Domenico Ghirlandaio Oil Paintings

Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
 
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Domenico Ghirlandaio John Dop feed oil on canvas


John Dop feed
John Dop feed
Painting ID::  53721 		  mk234 ca 1485-90
  mk234 ca 1485-90

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Domenico Ghirlandaio francesco sassetti and his son teodoro oil on canvas


francesco sassetti and his son teodoro
francesco sassetti and his son teodoro
Painting ID::  55973 		  mk247 c.1487 ,tempera on wood ,33x25 in,84x63 cm,metropolitan museum of art,new york,ny,usa
  mk247 c.1487 ,tempera on wood ,33x25 in,84x63 cm,metropolitan museum of art,new york,ny,usa

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Domenico Ghirlandaio old man with a young boy oil on canvas


old man with a young boy
old man with a young boy
Painting ID::  55975 		  c.1490,oil on panel ,24x18 in,62x64 cm,louvre,paris,france
  c.1490,oil on panel ,24x18 in,62x64 cm,louvre,paris,france

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Domenico Ghirlandaio Joe Tonelli million Nabo Ni oil on canvas


Joe Tonelli million Nabo Ni
Joe Tonelli million Nabo Ni
Painting ID::  56807 		  mk250 Year in 1488. Oil painting and the egg color of wood, about 76.2 x 50.8 cm. Madrid, Spain collection.
  mk250 Year in 1488. Oil painting and the egg color of wood, about 76.2 x 50.8 cm. Madrid, Spain collection.

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Domenico Ghirlandaio Our Lady of the birth of oil on canvas


Our Lady of the birth of
Our Lady of the birth of
Painting ID::  56808 		  mk250 in Florence, Italy, the new Santa Maria church in the main chapel. In the year 1485-1490. Frescoes.
  mk250 in Florence, Italy, the new Santa Maria church in the main chapel. In the year 1485-1490. Frescoes.

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     Domenico Ghirlandaio
     Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation

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