All Duccio Oil Paintings

1255-c1319 Italian Duccio Location Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
 

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Duccio The Rucellai Madonna oil on canvas


The Rucellai Madonna
The Rucellai Madonna
Painting ID::  1007
  1285 Galleria degli Uffizi, Florence
  1285 Galleria degli Uffizi, Florence

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Duccio The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  42820
  mk170 1311 Egg temper on poplar 43x44cm
  mk170 1311 Egg temper on poplar 43x44cm

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Duccio Jesus Opens the Eyes of a Man Born Blind oil on canvas


Jesus Opens the Eyes of a Man Born Blind
Jesus Opens the Eyes of a Man Born Blind
Painting ID::  42821
  mk170 1311 Tempera on poplar 43.5x45cm
  mk170 1311 Tempera on poplar 43.5x45cm

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Duccio Virgin and Child oil on canvas


Virgin and Child
Virgin and Child
Painting ID::  50887
  mk216 Duccio has been called the last artist of the old world
  mk216 Duccio has been called the last artist of the old world

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Duccio Maesta with Twenty Angels and Nineteen Saints. oil on canvas


Maesta with Twenty Angels and Nineteen Saints.
Maesta with Twenty Angels and Nineteen Saints.
Painting ID::  58697
  Maesta with Twenty Angels and Nineteen Saints.
  Maesta with Twenty Angels and Nineteen Saints.

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     Duccio
     1255-c1319 Italian Duccio Location Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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