All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Medieval War Scene oil on canvas


Medieval War Scene
Medieval War Scene
Painting ID::  914
  1865
  1865

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Edgar Degas Young Spartans oil on canvas


Young Spartans
Young Spartans
Painting ID::  915
  1860 Art Institute of Chicago
  1860 Art Institute of Chicago

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Edgar Degas The Young Spartans Exercising oil on canvas


The Young Spartans Exercising
The Young Spartans Exercising
Painting ID::  916
  1860-62 109 x 154.5cm National Gallery, London
  1860-62 109 x 154.5cm National Gallery, London

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Edgar Degas The Millinery Shop oil on canvas


The Millinery Shop
The Millinery Shop
Painting ID::  917
  1882-86 Art Institute of Chicago
  1882-86 Art Institute of Chicago

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Edgar Degas At the Milliner's_m oil on canvas


At the Milliner's_m
At the Milliner's_m
Painting ID::  918
  1882 Metropolitan Museum of Art, New York
  1882 Metropolitan Museum of Art, New York

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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