All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Portrait of Mary Cassatt oil on canvas


Portrait of Mary Cassatt
Portrait of Mary Cassatt
Painting ID::  879
  1880-84
  1880-84

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Edgar Degas Mary Cassatt at the Louvre oil on canvas


Mary Cassatt at the Louvre
Mary Cassatt at the Louvre
Painting ID::  880
  1880
  1880

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Edgar Degas Mary Cassatt and her sister at the Louvre oil on canvas


Mary Cassatt and her sister at the Louvre
Mary Cassatt and her sister at the Louvre
Painting ID::  881
  1885 The Art Institute of Chicago
  1885 The Art Institute of Chicago

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Edgar Degas Woman with Opera Glasses oil on canvas


Woman with Opera Glasses
Woman with Opera Glasses
Painting ID::  882
  1875-76
  1875-76

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Edgar Degas Madame Rene de Gas oil on canvas


Madame Rene de Gas
Madame Rene de Gas
Painting ID::  883
  1872-73 The National Gallery of Art, Washington DC
  1872-73 The National Gallery of Art, Washington DC

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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