All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Young woman who dries itself oil on canvas


Young woman who dries itself
Young woman who dries itself
Painting ID::  53901
  mk234 1885 82x50cm
  mk234 1885 82x50cm

Height    Width


  INS/CM       Quality

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Edgar Degas Rehearal of a Baller on Stage oil on canvas


Rehearal of a Baller on Stage
Rehearal of a Baller on Stage
Painting ID::  53959
  mk235 1874 Oil on canvas 65x81cm
  mk235 1874 Oil on canvas 65x81cm

Height    Width


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Edgar Degas At the Beach oil on canvas


At the Beach
At the Beach
Painting ID::  53960
  mk235 1876 Oil on paper on canvas 46x81cm
  mk235 1876 Oil on paper on canvas 46x81cm

Height    Width


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Edgar Degas The Song of the Dog oil on canvas


The Song of the Dog
The Song of the Dog
Painting ID::  53992
  mk235 c.1876/77 57.5x45.4cm
  mk235 c.1876/77 57.5x45.4cm

Height    Width


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Edgar Degas The Absinth Drinker oil on canvas


The Absinth Drinker
The Absinth Drinker
Painting ID::  53997
  mk235 1876 Oil on canvas 1876
  mk235 1876 Oil on canvas 1876

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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