All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas A Carriage at the Races oil on canvas


A Carriage at the Races
A Carriage at the Races
Painting ID::  54567
  mk235 c.1869-1872 Oil on canvas
  mk235 c.1869-1872 Oil on canvas

Height    Width


  INS/CM       Quality

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Edgar Degas Race Horses in Front of the Stand oil on canvas


Race Horses in Front of the Stand
Race Horses in Front of the Stand
Painting ID::  54568
  mk235 c.1869 Oil on canvas
  mk235 c.1869 Oil on canvas

Height    Width


  INS/CM       Quality

X

  

Edgar Degas Woman ironing oil on canvas


Woman ironing
Woman ironing
Painting ID::  54573
  mk235 c.1869 Oil on canvas
  mk235 c.1869 Oil on canvas

Height    Width


  INS/CM       Quality

X

  

Edgar Degas The Dancing Class oil on canvas


The Dancing Class
The Dancing Class
Painting ID::  54583
  mk235 c.1872 Oil on canvas
  mk235 c.1872 Oil on canvas

Height    Width


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Edgar Degas Musicians in the orchestra oil on canvas


Musicians in the orchestra
Musicians in the orchestra
Painting ID::  54584
  mk235 1870-71 Oil on canvas 69x49cm
  mk235 1870-71 Oil on canvas 69x49cm

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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