All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas After the Bath oil on canvas


After the Bath
After the Bath
Painting ID::  58629 		  After the Bath, Woman Drying her Nape 1898, Mus??e d'Orsay, Paris, France
  After the Bath, Woman Drying her Nape 1898, Mus??e d'Orsay, Paris, France

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Edgar Degas oil on canvas




Painting ID::  64206 		 
 

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Edgar Degas woman witb a gren iutu oil on canvas


woman witb a gren iutu
woman witb a gren iutu
Painting ID::  66324 		  mk289 1880-85 pastel on paper private collection london
  mk289 1880-85 pastel on paper private collection london

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Edgar Degas dancers pink and green oil on canvas


dancers pink and green
dancers pink and green
Painting ID::  66313 		  mk289 ca1890 oil on canvas metropolitan museum of art new york
  mk289 ca1890 oil on canvas metropolitan museum of art new york

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Edgar Degas ibe amazons oil on canvas


ibe amazons
ibe amazons
Painting ID::  66433 		  mk289 1882 pastel 97x64cm private collection
  mk289 1882 pastel 97x64cm private collection

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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