All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas At the Stock Exchange oil on canvas


At the Stock Exchange
At the Stock Exchange
Painting ID::  899 		  1878-79 39 3/8 x 32 1/4 in. (100 x 82 cm) Musee d'Orsay, Paris
  1878-79 39 3/8 x 32 1/4 in. (100 x 82 cm) Musee d'Orsay, Paris

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Edgar Degas Horses Before the Stands oil on canvas


Horses Before the Stands
Horses Before the Stands
Painting ID::  900 		  c. 1866-68 Essence on paper mounted on canvas 18 1/8 x 24 in (46 x 61 cm) Musee d'Orsay, Paris
  c. 1866-68 Essence on paper mounted on canvas 18 1/8 x 24 in (46 x 61 cm) Musee d'Orsay, Paris

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Edgar Degas At the Races oil on canvas


At the Races
At the Races
Painting ID::  901 		  1877-80 26.5" x 32.80" Musee d'Orsay, Paris
  1877-80 26.5" x 32.80" Musee d'Orsay, Paris

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Edgar Degas Racehorses oil on canvas


Racehorses
Racehorses
Painting ID::  902 		 
 

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Edgar Degas Race Horses_a oil on canvas


Race Horses_a
Race Horses_a
Painting ID::  903 		  1883-85
  1883-85

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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