All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Woman oil on canvas


Woman
Woman
Painting ID::  37715
  mk128 Oil on canvas 51.3x65cm
  mk128 Oil on canvas 51.3x65cm

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Edgar Degas Passion of Jesus oil on canvas


Passion of Jesus
Passion of Jesus
Painting ID::  37716
  mk128 Oil on canvas 67x92cm About 1868-1872
  mk128 Oil on canvas 67x92cm About 1868-1872

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Edgar Degas Portrait oil on canvas


Portrait
Portrait
Painting ID::  37717
  mk128 Oil on canvas 73x110 1869
  mk128 Oil on canvas 73x110 1869

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Edgar Degas Jumping the Gun oil on canvas


Jumping the Gun
Jumping the Gun
Painting ID::  37718
  mk128 Oil on canvas 32x40cm About 1869-1872
  mk128 Oil on canvas 32x40cm About 1869-1872

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Edgar Degas Racetrack oil on canvas


Racetrack
Racetrack
Painting ID::  37719
  mk128 Oil on canvas 36x55cm About 1870-1873
  mk128 Oil on canvas 36x55cm About 1870-1873

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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