All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas The cotton company of New Orleans oil on canvas


The cotton company of New Orleans
The cotton company of New Orleans
Painting ID::  37725
  mk128 Oil on canvas 73x92cm 1873
  mk128 Oil on canvas 73x92cm 1873

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Edgar Degas Dance oil on canvas


Dance
Dance
Painting ID::  37726
  mk128 Oil on board 19x27 1872
  mk128 Oil on board 19x27 1872

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Edgar Degas Mrs. Edgar oil on canvas


Mrs. Edgar
Mrs. Edgar
Painting ID::  37727
  mk128 Oil on canvas 72.7x92cm 1872-1873
  mk128 Oil on canvas 72.7x92cm 1872-1873

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Edgar Degas Cafard oil on canvas


Cafard
Cafard
Painting ID::  37728
  mk128 Oil on canvas 72.7x92cm 1872-1873
  mk128 Oil on canvas 72.7x92cm 1872-1873

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Edgar Degas Support mandatory practice oil on canvas


Support mandatory practice
Support mandatory practice
Painting ID::  37729
  mk128 Oil on canvas 74x80cm About 1876-1877
  mk128 Oil on canvas 74x80cm About 1876-1877

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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