All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Morning bath oil on canvas


Morning bath
Morning bath
Painting ID::  37755
  mk128 60x83cm 1886
  mk128 60x83cm 1886

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Edgar Degas The Woman Play Parasol oil on canvas


The Woman Play Parasol
The Woman Play Parasol
Painting ID::  37756
  mk128 Oil on canvas 27x20cm About 1887-1890
  mk128 Oil on canvas 27x20cm About 1887-1890

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Edgar Degas A picture of Russian dance oil on canvas


A picture of Russian dance
A picture of Russian dance
Painting ID::  37757
  mk128 Oil on canvas 41x88cm 1887
  mk128 Oil on canvas 41x88cm 1887

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Edgar Degas A picture of Russian dance oil on canvas


A picture of Russian dance
A picture of Russian dance
Painting ID::  37758
  mk128 700x200cm About 1893-1898
  mk128 700x200cm About 1893-1898

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Edgar Degas Balneation oil on canvas


Balneation
Balneation
Painting ID::  37759
  mk128 55x47cm About 1890
  mk128 55x47cm About 1890

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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