All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Race horses in Longchamp oil on canvas


Race horses in Longchamp
Race horses in Longchamp
Painting ID::  45911
  mk178 1871 oils on linen 34x41.9cm
  mk178 1871 oils on linen 34x41.9cm

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Edgar Degas On the race place Jockeys next to a carriage oil on canvas


On the race place Jockeys next to a carriage
On the race place Jockeys next to a carriage
Painting ID::  45912
  mk178 around 1877-1880 oil on linen 66x81cm
  mk178 around 1877-1880 oil on linen 66x81cm

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Edgar Degas The Bellini oil on canvas


The Bellini
The Bellini
Painting ID::  48686
  mk191 200x253cm Oil on canvas
  mk191 200x253cm Oil on canvas

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Edgar Degas Detail of  The Bellini oil on canvas


Detail of The Bellini
Detail of The Bellini
Painting ID::  48687
  mk191 Oil on canvas
  mk191 Oil on canvas

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Edgar Degas Detail of The Bellini oil on canvas


Detail of The Bellini
Detail of The Bellini
Painting ID::  48688
  mk191 Oil on canvas
  mk191 Oil on canvas

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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