All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Landscape with Rocky Cliffs oil on canvas


Landscape with Rocky Cliffs
Landscape with Rocky Cliffs
Painting ID::  49055
  mk192 1890 40x29cm
  mk192 1890 40x29cm

Height    Width


  INS/CM       Quality

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Edgar Degas Interior oil on canvas


Interior
Interior
Painting ID::  49167
  mk194 c.1874 Oil on canvas 81.3x114.3cm
  mk194 c.1874 Oil on canvas 81.3x114.3cm

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Edgar Degas Landscape oil on canvas


Landscape
Landscape
Painting ID::  49168
  mk194 1892 Pastel over Monotype on paper 26.7x35.6cm
  mk194 1892 Pastel over Monotype on paper 26.7x35.6cm

Height    Width


  INS/CM       Quality

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Edgar Degas The Rehearsal oil on canvas


The Rehearsal
The Rehearsal
Painting ID::  49169
  mk194 c.1873-78
  mk194 c.1873-78

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Edgar Degas After the Bath,woman witl a towel oil on canvas


After the Bath,woman witl a towel
After the Bath,woman witl a towel
Painting ID::  49170
  mk194 c.1893-97
  mk194 c.1893-97

Height    Width


  INS/CM       Quality

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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