All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas After The Bath oil on canvas


After The Bath
After The Bath
Painting ID::  49176
  mk194 c.1892-94
  mk194 c.1892-94

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Edgar Degas Study of a Horse from the Parthenon Frieze oil on canvas


Study of a Horse from the Parthenon Frieze
Study of a Horse from the Parthenon Frieze
Painting ID::  49177
  mk194 c.1854
  mk194 c.1854

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Edgar Degas Studies for the Daughter of Jephthah oil on canvas


Studies for the Daughter of Jephthah
Studies for the Daughter of Jephthah
Painting ID::  49178
  mk194 c.1859-61
  mk194 c.1859-61

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Edgar Degas The Daughter of Japhthah oil on canvas


The Daughter of Japhthah
The Daughter of Japhthah
Painting ID::  49179
  mk194 1859-60 Oil on canvas
  mk194 1859-60 Oil on canvas

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Edgar Degas Portrait of a Woman,after a Drawing in the uffizi then attributed to leonardo da vinci oil on canvas


Portrait of a Woman,after a Drawing in the uffizi then attributed to leonardo da vinci
Portrait of a Woman,after a Drawing in the uffizi then attributed to leonardo da vinci
Painting ID::  49180
  mk194 c.1858-59
  mk194 c.1858-59

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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