All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Studo for Diego Martelli oil on canvas


Studo for Diego Martelli
Studo for Diego Martelli
Painting ID::  49181
  mk194 1879
  mk194 1879

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  INS/CM       Quality

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Edgar Degas Lorenzo Pagans Spanish Tenor,and Auguste ge gas,Father of the artist oil on canvas


Lorenzo Pagans Spanish Tenor,and Auguste ge gas,Father of the artist
Lorenzo Pagans Spanish Tenor,and Auguste ge gas,Father of the artist
Painting ID::  49182
  mk194 c.1870-71 Oil on canvas 54x40cm
  mk194 c.1870-71 Oil on canvas 54x40cm

Height    Width


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X

  

Edgar Degas Cotton Merchants in New Orleans oil on canvas


Cotton Merchants in New Orleans
Cotton Merchants in New Orleans
Painting ID::  49183
  mk194 1873
  mk194 1873

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Edgar Degas Alice Villette oil on canvas


Alice Villette
Alice Villette
Painting ID::  49184
  mk194 1872
  mk194 1872

Height    Width


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X

  

Edgar Degas At the races The Start oil on canvas


At the races The Start
At the races The Start
Painting ID::  49185
  mk194 c.1860-62
  mk194 c.1860-62

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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