All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Study for Edmono Duranty oil on canvas


Study for Edmono Duranty
Study for Edmono Duranty
Painting ID::  49196
  mk194
  mk194

Height    Width


  INS/CM       Quality

X

  

Edgar Degas Singer with a Glove oil on canvas


Singer with a Glove
Singer with a Glove
Painting ID::  49197
  mk194 c.1878
  mk194 c.1878

Height    Width


  INS/CM       Quality

X

  

Edgar Degas Half-Langth Study of a Woman oil on canvas


Half-Langth Study of a Woman
Half-Langth Study of a Woman
Painting ID::  49198
  mk194 c.1890
  mk194 c.1890

Height    Width


  INS/CM       Quality

X

  

Edgar Degas Arter the Bath,Woman Drying her Hair oil on canvas


Arter the Bath,Woman Drying her Hair
Arter the Bath,Woman Drying her Hair
Painting ID::  49199
  mk194 c.1893-98
  mk194 c.1893-98

Height    Width


  INS/CM       Quality

X

  

Edgar Degas Head of a Man oil on canvas


Head of a Man
Head of a Man
Painting ID::  49200
  mk194 1858
  mk194 1858

Height    Width


  INS/CM       Quality

X

  

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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