All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Dancers,nude Study oil on canvas


Dancers,nude Study
Dancers,nude Study
Painting ID::  49201
  mk194 1899
  mk194 1899

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  INS/CM       Quality

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Edgar Degas Horses and Riders on a road oil on canvas


Horses and Riders on a road
Horses and Riders on a road
Painting ID::  49202
  mk194 1867-68
  mk194 1867-68

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Edgar Degas Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  49203
  mk194 c.1857-58 Oil on paper mounted on canvas 26x19cm
  mk194 c.1857-58 Oil on paper mounted on canvas 26x19cm

Height    Width


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Edgar Degas Study for Julie Burtey oil on canvas


Study for Julie Burtey
Study for Julie Burtey
Painting ID::  49204
  mk194 c.1867
  mk194 c.1867

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Edgar Degas Young Woman Street Costume oil on canvas


Young Woman Street Costume
Young Woman Street Costume
Painting ID::  49205
  mk194 c.1879
  mk194 c.1879

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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