All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Dress rehearsal Dancer oil on canvas


Dress rehearsal Dancer
Dress rehearsal Dancer
Painting ID::  49909
  mk206 1878 Oil on canvas 49.5x32.3cm
  mk206 1878 Oil on canvas 49.5x32.3cm

Height    Width


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Edgar Degas Rehearsal on the stage oil on canvas


Rehearsal on the stage
Rehearsal on the stage
Painting ID::  49910
  mk206 1874 Oil on canvas 65x81cm
  mk206 1874 Oil on canvas 65x81cm

Height    Width


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Edgar Degas Rehearsal on the stage oil on canvas


Rehearsal on the stage
Rehearsal on the stage
Painting ID::  49911
  mk206 about 1874 Oil on canvas 53.3x72.3cm
  mk206 about 1874 Oil on canvas 53.3x72.3cm

Height    Width


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Edgar Degas Dance class oil on canvas


Dance class
Dance class
Painting ID::  49912
  mk206 1874 Oil on canvas 83.8x80.6cm
  mk206 1874 Oil on canvas 83.8x80.6cm

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Edgar Degas Dance class oil on canvas


Dance class
Dance class
Painting ID::  49913
  mk206 1873-1876 Oil on canvas 85x75cm
  mk206 1873-1876 Oil on canvas 85x75cm

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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