All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas absinth oil on canvas


absinth
absinth
Painting ID::  49914
  mk206 1875-1876 Oil on canvas 92x68cm
  mk206 1875-1876 Oil on canvas 92x68cm

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Edgar Degas The woman take the telescope look at the opera oil on canvas


The woman take the telescope look at the opera
The woman take the telescope look at the opera
Painting ID::  49915
  mk206 1875-1876 Oil on canvas 48x32cm
  mk206 1875-1876 Oil on canvas 48x32cm

Height    Width


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Edgar Degas Opera performance in the restaurant oil on canvas


Opera performance in the restaurant
Opera performance in the restaurant
Painting ID::  49916
  mk206 1876-1877 Oil on canvas 24.2x44.5cm
  mk206 1876-1877 Oil on canvas 24.2x44.5cm

Height    Width


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Edgar Degas Dance oil on canvas


Dance
Dance
Painting ID::  49917
  mk207 1876-1877 Oil on canvas 24.2x44.5cm
  mk207 1876-1877 Oil on canvas 24.2x44.5cm

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Edgar Degas The Concert in the cafe oil on canvas


The Concert in the cafe
The Concert in the cafe
Painting ID::  49918
  mk206 1876-1877 Oil on canvas 36x28cm
  mk206 1876-1877 Oil on canvas 36x28cm

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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