All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas The Concert in the cafe oil on canvas


The Concert in the cafe
The Concert in the cafe
Painting ID::  49919
  mk206 1876-1877 Oil on tempera 57.5x45.5cm
  mk206 1876-1877 Oil on tempera 57.5x45.5cm

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Edgar Degas ballerina being practising oil on canvas


ballerina being practising
ballerina being practising
Painting ID::  49920
  mk206 1876-1877 Oil on canvas 75.6x81.3cm
  mk206 1876-1877 Oil on canvas 75.6x81.3cm

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Edgar Degas Dancer entering with veil oil on canvas


Dancer entering with veil
Dancer entering with veil
Painting ID::  49921
  mk206 1876 Oil on canvas 1879
  mk206 1876 Oil on canvas 1879

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Edgar Degas Naked  doing up her hair oil on canvas


Naked doing up her hair
Naked doing up her hair
Painting ID::  49922
  mk206 1876-1877 Oil on canvas 21.5x16.2cm
  mk206 1876-1877 Oil on canvas 21.5x16.2cm

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Edgar Degas After bath oil on canvas


After bath
After bath
Painting ID::  49923
  mk206 1876-1877 Oil on canvas 21x15.9cm
  mk206 1876-1877 Oil on canvas 21x15.9cm

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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