All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas ballerina oil on canvas


ballerina
ballerina
Painting ID::  49929
  mk206 1877-1879 Oil on canvas 66x51cm
  mk206 1877-1879 Oil on canvas 66x51cm

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Edgar Degas Bete in the cafe oil on canvas


Bete in the cafe
Bete in the cafe
Painting ID::  49930
  mk206 1877-1885 Oil on canvas 22.8x20cm
  mk206 1877-1885 Oil on canvas 22.8x20cm

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Edgar Degas someone in the corner  of stage oil on canvas


someone in the corner of stage
someone in the corner of stage
Painting ID::  49931
  mk206 1879 Oil on canvas 79x55cm
  mk206 1879 Oil on canvas 79x55cm

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Edgar Degas Mis Cessate in Louvre oil on canvas


Mis Cessate in Louvre
Mis Cessate in Louvre
Painting ID::  49932
  mk206 about 1879 Oil on canvas 71x54cm
  mk206 about 1879 Oil on canvas 71x54cm

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Edgar Degas Dancer at Background oil on canvas


Dancer at Background
Dancer at Background
Painting ID::  49933
  mk206 1878-1880 Oil on canvas 69.2x50.2cm
  mk206 1878-1880 Oil on canvas 69.2x50.2cm

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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